Basant Raga for Spring

In the opening episode, I explained the main symbolic meaning of musical rhythm as represented through Sri-Raga. This figurative symbol pointed to the spring season. The natural event where winter always gives way to spring after its quiet duration is truly extraordinary, as it revitalizes nature and highlights why we should cherish our beautiful world for a longer time! Spring brings endless joy that fills us with happiness; additionally, it refreshes us uniquely by helping us forget our darkest past experiences.

Adhering to the laws of nature, an unidentified composer created a musical composition and seamlessly integrated it into the Sri-Raga. As previously noted, nature exerts an undeniable influence over the individual psyche; however, Basant-Raga was expertly crafted to showcase the beauty of spring. Personally, I have frequently been delighted with this remarkable musical creation, which can alleviate emotional and mental distress. The Indian film industry boasts countless timeless romantic songs that feature this fundamental melody.

Basant Raga. Rajput Style.
1770. 

Based on the information provided, Basant Raga is said to have six sub-rhythms: Hindoli, Gurjari, Malwa, Patmanjari, Sabari, and Kaushiki, each of which is depicted as a wife. The author described Basant Raga's body color as golden yellow, a hue that symbolizes the spring season and evokes feelings of pleasure, glory, and happiness. Interestingly enough, he chooses not to adorn himself with any ornaments but instead prefers to wear mango flowers as earrings to signify this fruit's blossoming during this time of year. Additionally, he is portrayed with red eyes, suggesting a heightened level of stimulation within his body and mind. His first wife, Hindoli, is depicted as having a relatively tranquil demeanor; her moonshine-like complexion creates a soothing and inviting atmosphere while simultaneously encouraging Basant Raga to dance along with her mesmerizing drumbeats. Overall, they appear to be an evergreen couple whose presence fills the air with joyfulness and warmth. This figurative ideology was imagined by that unknown author of the musical scripture, which is indeed logical and perfect in all aspects.

In this article, I am beyond excited to share a mesmerizing performance of the Basant Raga on flute by the legendary Pd. Hariprasad Chourashia. Trust me, you will be blown away by the sheer beauty and excellence of the music he has created! It is important to note that this musical tune is a pure and authentic melody of Raag Basant, used in several musical compositions. Moreover, this musical harmony is performed without the sub-rhythms of Basant Raga, such as Hindoli, Gurjori Malawi, etc. This is truly a rare and special treat, as it allows us to understand and appreciate the essence of this incredible rhythm. So, please, I implore you to listen to this music until the very end. I promise you will be completely and utterly immersed in the magic of it all and realize something extraordinary!

Allow me to share a remarkable truth: The miniature artists of Rajasthan transformed the Persian miniature art by infusing it with their traditional values, which ultimately established it as an iconic form of Indian art. It is well-known that India was not the birthplace of this artistic style; instead, it was introduced by Babur, the first emperor of the Mughal kingdom, who hailed from Persian culture. Nevertheless, in India, Persian art reached its peak success through the influence of the traditional Indian art style, which we later recognized as Mughal art.

In light of the supremacy of Indian miniature art, the artists hailing from Kangra Valley have demonstrated their unparalleled talent. However, their peers from Rajasthan have established versatility in their craft. Before the Mughal era, they confined themselves to spiritual themes. Yet upon encountering Persian techniques, they expanded their subject matter to encompass portrait paintings, depictions of royal Mughal courts and hunting parties, and Raga-Mala paintings. I do not mean to imply that Kangra Valley artists did not explore these subjects; instead, those from Rajasthan developed a distinct flair in style, methodology, and overall composition that set them apart and made their works iconic within the history of Indian art.

In the upcoming episode, I shall delve into the intricacies of the third musical rhythm, Raga Vairaba. Please do not hesitate to share your thoughts and feelings on this captivating melody in the comments section below. Additionally, feel free to share this enchanting music along with its related painting of Raga Basant to spread awareness. Your interest is truly appreciated and valued. Thank you for your continued support.